Felting the Landscape 12 week community arts project
The Cuilcagh Lakelands Geopark successfully applied for the Arts Council Rural Engagement Funding with the aim of engaging local people in rural areas to create some visual art as a response to their Geopark. This could be taking in the stunning scenery, the fabulous built heritage, or the local stories and legends.
We employed local artist and Geopark guide – Morag Donald – to run a 12-week ‘felting the landscape’ course using different Geopark locations. In the first few weeks, the participants visited a different Geopark location to gain inspiration, they met locals and learned about the areas, along with taking in the beautiful scenery. Morag led the participants in drawing workshops at each of the sites, along with learning some photography skills. These weeks, the participants worked on individual felting projects to perfect their technique. The last 2/3 weeks were spent working on a collaborative project – one large felt landscape, with stories and legends included.
The project aimed to teach the skills of wet and needle felting, embroidery, drawing and photography to create individual pieces for participants to keep, and one legacy piece of textile art to be displayed in the Geopark Office in Blacklion. This piece would communicate on many levels: a legacy of wisdom and memory from the elders, hopes for the future and ways in which all can work together towards a mutually respectful and inclusive community.
The project had a multi-disciplinary approach utilising textile art, remembrance and the written word. We each respond to the landscape in our own way and have different connections to it, the landscape we live within connects us all, regardless of age and ignoring man made borders. The land has been here long before us and endures long after we are gone. It is a constant in an ever changing world.
Exhibition catalogues are available at the Geopark offices, MacNean Resource Centre, Blacklion.
Our Artist’s Reflection

Morag Donald
I am a visual artist inspired by the varied landscape of the Geopark. I love to walk and take photographs, which inspire my felted and woven artworks. My creative tours combine calming time in nature with making something to take home as a touchstone of the experience.
I put a great deal of planning and thought into this project to ensure it offered the best possible experience for participants. We had a balanced programme of site visits and practical workshops. We began with a walk at Cavan Burren Park, where participants had the opportunity to take photographs, chat as they walked, and begin getting to know one another. I introduced the project and showed examples of the textile pieces they would be learning to create. Everyone was excited to begin.
By our second walk at Killykeegan Nature Reserve, participants had completed a wet-felted background and had developed a better understanding of what would translate well into felt. They also became more intentional about the photographs they took for future inspiration. At our third walk at Tully Castle, the group had started adding needle-felting and stitched details to their first landscape pieces. Several participants were so enthusiastic that they asked to borrow equipment to continue working at home between sessions.
During the remaining workshops at the Market House, participants grew steadily in both confidence and artistic ability. I encouraged constructive feedback between members, and the group developed into a warm and supportive community. Each week, I read a poem before we held a check-in using my talking stick, giving everyone an opportunity to reflect and share their experiences. The feedback during these check-ins was overwhelmingly positive. Participants enjoyed the combination of spending time in nature and interpreting those experiences through textiles. They appreciated the opportunity to make new friends, learn new creative skills, and express themselves artistically. Throughout the workshops, I played recordings of nature sounds, flowing water, and birdsong, creating a calming atmosphere that helped everyone feel immersed in the landscapes they were recreating.
Everyone completed at least two textile pieces—one for the collaborative wall hanging and one to frame and keep—and several participants created three or four works. As we planned the final wall hanging together, the group contributed many creative ideas, including incorporating footprints and meaningful words into the design.The WhatsApp group also became an important part of the project, providing a space to share work in progress, ask questions, and support those who were working from home or had missed a session. Participants consistently encouraged one another, strengthening the sense of community that had developed throughout the project.
As a workshop facilitator, I am always learning from my participants, and this group brought many imaginative ideas to the process, such as using buttons to represent rocks and incorporating jute to evoke grasses. The finished textile pieces are beautiful, each reflecting the personality of its maker and their individual response to the landscapes we explored.
The completed wall hanging is a true reflection of the group and the special journey we shared together. It captures not only the places we visited but also the friendships, creativity, and confidence that developed throughout the project. It was a deeply enjoyable and rewarding experience to facilitate, and I feel privileged to have worked with such a wonderful group of people.


















